Fritz Strich: “Baroque” Term Origin and Poetic Practice of Expressionism (on the Example of G. Benn)
Abstract
Nikon I. Kovalev (Russian Academy of Science, Moscow, Russian Federation)
The article reviews the most important works of Fritz Strich, a German literary critic who was the first to use the term “baroque” as applied to literature. In these texts there is a tendency for the Baroque literature to converge with Strich’s modern literary trends - in particular, with expressionism, which had a profound impact on the subsequent development of literary interpretations of the Baroque. In addition, they have a serious influence on modern poetry, for example, G. Benn’s creativity can serve as an example.
Key words: baroque, expressionism, Gottfried Benn, Fritz Strich, German literary criticism.
DOI 10.23683/1995-0640-2017-2-12-17
References
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Luther G. Barocker Expressionismus? Zur Problematik der Beziehung zwischen der Bildlichkeit expressionistischer und barocker Lyrik. Den Haag/Paris, 1969. 177 p.
Muschg W. Von Trakl zu Brecht. Dichter des Expressionismus. München, 1961. 379 p.
Strich F. Deutsche Barockdichtung. Der literarische Barockbegriff. Darmstadt, 1975, pp. 32-82.
Strich F. Deutsche Barocklyrik. Genius, 1921, no. 3, pp. 106-110.
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