From the Paradigm of «either/or» Exclusion to the Paradigm of Consciousness Expansion «both/and»: «Russians are those who Love Birch Trees» by Olga Gryaznova
Abstract
Elizaveta V. Sokolova (Moscow, Russian Federation)
The important trend to the new paradigm of self-perception by literary characters in the global world of today as reflected in the modern German transnational literature is demonstrated by an example of the novel Russians are those who love birch tress (Der Russe ist einer der Birken liebt, 2012) by Olga Gryaznova, the young German author with Soviet background. The paradigm based on «exclusion» (either…or…) in national and cultural self-identification of literary characters that dominated in transnational German literature till now, seems to be alternated here by the new one, based on «inclusion» (both… and…).
Key words: contemporary German literature, transnationalism in German literature, migrant-literature, Russian characters in modern German literature, Olga Gryaznova.References
Рымарь Н.Т. Поэтика границы в литературе: Эстетические и поэтологические аспекты границы как феномена художественного языка. Siedlce, 2016. 334 c. Beck U. The cosmopolitan vision. Cambridge, 2006. 201 p.
Beck U. The cosmopolitan society and its enemies // Theory, culture and society, London. 2002. Vol. 19, no. 1-2, pp. 17 – 44.
Biendarra A.S. Cultural dichotomies and lived transnationalism in recent russiasn-german narratives // Transnationalism in contemporary German-language literature. Rochester; N. Y., 2015. P. 209–227.
Bronsky A. Scherbenpark. Köln, 2008. 288 S.
Eberhard E. Einsamkeit. Psychologische Konzepte, Forschungsbefunde und Treatmentansӓtze. Marburg, 1991, 364 S.
Gerstenberger K. «On the plane to Bishkek or in the airport of Tashkent»: Transnationalism and notions of home in recent German literature // Transnationalism in contemporary German-language literature. Rochester; N. Y., 2015. P. 89–105.
Gorelik L. Meine weissen Nӓchte. München, 2004, 273 S.
Görner R. Grenzen, Schwellen, Übergӓnge. Zur Poetik des Transitorischen.
Göttingen, 2001, 160 S.
Grjasnowa O. Der Russe ist einer, der Birken liebt. München, 2012, 285 S.
Jay P. Global matters: The transnational turn in literary studies. Ithaca; N. Y., 2010, 248 p.
Kӓmmerlings R. Das kurze Glück der Gegenwart. Deutschsprachige Literatur seit ’89, Stuttgart, 2011. 208 S.
Röhmild R. Confronting the logic of the nation state: Transnational migration and cultural globalization in Germany // Ethnologia Europea. Copenhagen, 2003. Vol. 33, no. 1, pp. 61 –72.
Šediková Čuhová P. Einsamkeit bei DolmetscherInnen/ÜbersetzerInnen. Figuren bei AutorInnen mit Migrationserfahrung am Beispiel des Romans
«Der Russe ist einer, der Birken liebt» von Olga Grjasnowa // Zeitschrift für Literaturwissenschaft und Linguistik (LiLi). Siegen, 2016, Jg. 46., H.1, S. 37–53.
Taberner S. Transnationalism in contemporary German-language fiction by nonminority writers // Seminar: A journal of Germanic studies. Toronto, 2011. Vol. 47, no. 5, pp. 624–645.
Taberner S. Transnationalism and cosmopolitanism: Literary world-building in the twenty-first century // Transnationalism in contemporary German-language literature. Rochester; N. Y., 2015. P. 43–64.
Transnationalism in contemporary German-language literature. Rochester; N. Y., 2015, 292 p.
Venkat Mani B. Cosmopolitical claims: Turkisch-German literatures from Nadolny to Pamuk. Iowa City, 2007. 262 p.
Vertovec S. Transnationalism. London; N. Y., 2009, х, 205 p.
References
Rymar N.T. Poetika granitsy v literature: esteticheskiye i poetologicheskiye aspekty granitsy kak fenomena khudozhestvennogo yazyka, Siedlce, 2016, 334 p. (In Russian).
Beck U. The cosmopolitan vision, Cambridge, 2006, 201 p.
Beck U. The cosmopolitan society and its enemies. Theory, culture and society, London, 2002, vol. 19, no. 1-2, pp. 17-44.
Biendarra A.S. Cultural dichotomies and lived transnationalism in recent russiasn-german narratives. Transnationalism in contemporary German-language literature. Rochester; N. Y., 2015, pp. 209-227.
Bronsky A. Scherbenpark. Köln, 2008, 288 p.
Eberhard E. Einsamkeit. Psychologische Konzepte, Forschungsbefunde und Treatmentansӓtze. Marburg, 1991, 364 p.
Gerstenberger K. «On the plane to Bishkek or in the airport of Tashkent»: Transnationalism and notions of home in recent German literature. Transnationalism in contemporary German-language literature, Rochester; N. Y., 2015, pp. 89-105.
Gorelik L. Meine weissen Nӓchte, München, 2004, 273 p.
Görner R. Grenzen, Schwellen, Übergӓnge. Zur Poetik des Transitorischen, Göttingen, 2001, 160 p.
Grjasnowa O. Der Russe ist einer, der Birken liebt. München, 2012, 285 p.
Jay P. Global matters: The transnational turn in literary studies. Ithaca; N. Y., 2010, 248 p.
Kӓmmerlings R. Das kurze Glück der Gegenwart. Deutschsprachige Literatur seit ’89, Stuttgart, 2011, 208 p.
Röhmild R. Confronting the logic of the nation state: Transnational migration and cultural globalization in Germany. Ethnologia Europea, Copenhagen, 2003, vol. 33, no. 1, pp. 61-72.
Šediková Čuhová P. Einsamkeit bei DolmetscherInnen/ÜbersetzerInnen. Figuren bei AutorInnen mit Migrationserfahrung am Beispiel des Romans «Der Russe ist einer, der Birken liebt» von Olga Grjasnowa. Zeitschrift für Literaturwissenschaft und Linguistik (LiLi), Siegen, 2016, Jg. 46., h.1, pp. 37-53.
Taberner S. Transnationalism in contemporary German-language fiction by nonminority writers. Seminar: A journal of Germanic studies, Toronto, 2011, vol. 47, no. 5, pp. 624-645.
Taberner S. Transnationalism and cosmopolitanism: Literary world-building in the twenty-first century. Transnationalism in contemporary German-language literature, Rochester; N. Y., 2015. pp. 43–64.
Transnationalism in contemporary German-language literature, Rochester; N. Y., 2015, 292 p.
Venkat Mani B. Cosmopolitical claims: Turkisch-German literatures from Nadolny to Pamuk, Iowa City, 2007, 262 p.
Vertovec S. Transnationalism. London; N. Y., 2009, х, 205 p.
Downloads
How to Cite
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).