THE EARTH AS A MYTHOPOETIC CONSTANT: F.M. DOSTOEVSKY, A. PLATONOV, I. SHMELEV

Authors

  • Svetlana A. Skuridina Voronezh State Technical University
  • Nadezhda B. Bugakova Voronezh State Technical University
  • Elena O. Kuzminykh Voronezh State Technical University

Abstract

DOI 10.18522/1995-0640-2022-3-21-34

The features of perception of the image of the earth by the heroes of the works of F.M. Dostoevsky, A. Platonov, I.S. Shmelev are considered. It is determined that the world of images created by F.M. Dostoevsky, A.P. Platonov and I.S. Shmelev in artistic texts is built on the basis of semantic oppositions: life – death, day – night, person – nature, one’s own – another’s. One of the obvious oppositions functioning in the texts of the authors under study is the earth–sky opposition. The perception of the image of the earth among the writers under study occurs within the framework of the mythopoetic paradigm, but at the same time each of them creates his own myth.

Keywords: mythopoetic model of the world; semantic oppositions; earth; F.M. Dostoevsky; A. Platonov; I.S. Shmelev.

Author Biographies

Svetlana A. Skuridina, Voronezh State Technical University

grand Ph.D. of Philology, Associate Professor, Head of Department of the Russian Language and Intercultural Communication

Nadezhda B. Bugakova , Voronezh State Technical University

Ph.D. of Philology, Associate Professor, Department of the Russian Language and Intercultural Communication

Elena O. Kuzminykh, Voronezh State Technical University

Ph.D. of Philology, Associate Professor, Department of the Russian Language and Intercultural Communication

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Published

2022-10-06

How to Cite

Skuridina С. А. ., Bugakova Н. Б. ., & Kuzminykh Е. О. . (2022). THE EARTH AS A MYTHOPOETIC CONSTANT: F.M. DOSTOEVSKY, A. PLATONOV, I. SHMELEV. Proceedings of Southern Federal University. Philology, 26(3), 21–34. Retrieved from https://philol-journal.sfedu.ru/index.php/sfuphilol/article/view/1756

Issue

Vol. 26 No. 3 (2022)

Section

LINGUISTICS

License

Copyright (c) 2022 Svetlana A. Skuridina, Nadezhda B. Bugakova, Elena O. Kuzminykh

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