Typology of approaches to the study of autobiography in literature study
Abstract
Shurinova N.S. (Southern Federal University, Rostov-on-Don, Russian Federation)
The article considers the possibility of distinct typology of theoretical approaches to autobiography represented in key works of national and foreign scientists. In particular, we are interested in the degree of formation of specific methodological associations, allowing to substantiate the autobiographical work of contemporary researchers in the works of certain authors. To highlight this issue, we have carried out a meta study, referring to the works of scholars such as G. Misch, S. A. de Saint-Beuve, J. Gyusdorf, J. Poole, G. Olney, Jean-Paul Sartre, M.M. Bakhtin, P. de Man, M. Bojur, F. Lejeune. At the end of the article, we conclude that a typology of approaches to autobiographical is possible only as conditional, it does not cover the whole variety of theoretical concepts in view of the existence of echoes between them, the need for a separate allocation of specific theories dealing with autobiographical, and interdisciplinary studies. In addition, this work considers a basic problem of theoretical research: the figure of the author’s biographical and autobiographical nature of narrative texts aggravate disputes between supporters of fiction of such works and supporters of the presence in them of the author’s subjectivity.
Key words: autobiography, autobiographism, typology, theoretical approaches.
DOI: 10.18522/1995-0640-2015-4-51-57
References
Бахтин М.М. Автор и герой в эстетической деятельности // Бахтин М.М. Эстетика словесного творчества. М., 1979.
Зарецкий Ю.П. Автобиографические «Я» от Августина до Аввакума: Очерки истории самосознания европейского индивида. М., 2002.
Сартр Ж.-П. Идиот в семье. СПб., 1971.
Сент-Бёв Ш.О. Литературные портреты. Критические очерки. М., 1970.
Beaujour M. Miroirs d’encre: rhetorique de l’autoportrait. Paris, 1980.
CespedesJ. Le probleme ontologique de l’autobiographie [Электронный ресурс]. //Cahiers de Narratologie. 2001. URL: http://narratologie.revues.org/6952 (дата обращения: 31.07.2015).
De Man P. Autobiography as De-Facement // MLN. 1979. Vol. 94, №. 5.
Gusdorf G. Conditions et limites de l‘autobiographie // Formen der Selbstdarstellung: Festgabe fur Fritz Neubert. Berlin, 1956.
Lejeune Ph. Le pacte autobiographique. Paris, 1975.
Misch G. A History of Autobiography in Antiquity. Cambridge, 1951.
OlneyJ. Metaphors Of Self. Princeton, 1972.
Peneffj. Autobiographie, histoire et sociologie. Nantes, 1984.
Poulet G. Entre moi et moi: Essais critiques sur la conscience de soi. Paris,
References
Bakhtin M.M. Avtorigeroi v esteticheskoi deyatel’nosti // M.M.Bakhtin. Estetika slovesnogo tvorchestva. M., 1979.
Zaretskii Yu.P. Avtobiograficheskie «Ya» ot Avgustina do Avvakuma: Ocherki istorii samosoznaniya evropeiskogo individa. M., 2002.
SartrZh.-P. Idiot v sem’e. SPb, 1971.
Sent-Bev Sh.O. Literaturnye portrety. Kriticheskie ocherki. M., 1970.
Beaujour M. Miroirs d’encre: rhetorique de l’autoportrait. Paris, 1980.
Cespedes J. Le problemeontologique de l’autobiographie [Elektronnyi resurs]. // Cahiers de Narratologie. 2001. URL: http://narratologie.revues.org/6952 (data obrashcheniya: 31.07.2015).
De Man P. Autobiography as De-Facement // MLN. 1979. Vol. 94, №. 5.
Gusdorf G. Conditions etlimites de l’autobiographie // Formen der Selbstdarstellung: Festgabe fur Fritz Neubert. Berlin, 1956.
Lejeune Ph. Le pacte autobiographique. Paris, 1975.
Misch G. A History of Autobiography in Antiquity. Cambridge, 1951.
Olney J. Metaphors Of Self. Princeton, 1972.
Peneff J. Autobiographie, histoire etsociologie. Nantes, 1984.
Poulet G. Entre moi et moi: Essais critiques sur la conscience de soi. Paris, 1977.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Наталья Сергеевна Шуринова
![Creative Commons License](http://i.creativecommons.org/l/by-nc/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).